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本帖被 凉风友情 执行加亮操作(2022-06-24)
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 ◎译 名 莱奥诺拉的告别/别了，莱奥诺拉/莱奥诺拉·阿迪奥/再见，莱昂诺拉◎片 名 Leonora Addio◎年 代 2022◎产 地 意大利◎类 别 剧情◎语 言 意大利语/英语◎上映日期 2022-02-15(柏林电影节)◎IMDb评分 7.2/10 from 217 users◎IMDb链接 https://www.imdb.com/title/tt13107800/◎豆瓣评分 7.2/10 from 285 users◎豆瓣链接 https://movie.douban.com/subject/35320636/◎导 演 保罗·塔维亚尼 Paolo Taviani◎编 剧 路易吉·皮兰德娄 Luigi Pirandello◎主 演 娜塔丽·拉布蒂·戈麦斯 Nathalie Rapti Gomez 马西莫·波波利齐奥 Massimo Popolizio 法比齐奥·费拉卡尼 Fabrizio Ferracane 马泰奥·皮蒂鲁蒂 Matteo Pittiruti 多拉·贝克尔 Dora Becker Jessica Piccolo Valerani Jessica Piccolo Valerani◎简 介 Three years after the loss of his brother Vittorio, with whom he shared his entire career, Paolo Taviani returns to the works of Luigi Pirandello, which the pair adapted in 1984 (Chaos) and 1998 (You Laugh). In keeping with the Sicilian playwright’s vision, the film is not at all what it appears to be. The title may come from a 1910 novella, but there is no trace of that book’s jealousy-riddled plot. Instead, the focus is on Pirandello himself, or rather, his ashes, which are transported from a hasty burial site in fascist Rome to a permanent resting place in Sicily, on a trek that takes us through post-war Italy and its filmed memories, as seen in newsreels, amateur films and fragments of Neorealism. Having buried the master, Leonora addio then shifts gear from road movie to film adaptation, but here it picks a different Pirandello story, namely the last one, written shortly before his death in 1936. From the farewell of the title to its return to the writer’s last words, it is hard not to read this work, so free and yet so much a part of the Taviani world, as a moving brotherly farewell which, just as in 2012’s Golden Bear winner Caesar Must Die, once again uses cinema to give voice to literature and history.
◎获奖情况
第72届柏林国际电影节(2022) 金熊奖 最佳影片(提名) 费比西奖（国际影评人联盟奖） 竞赛单元最佳影片
    
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